I've spoken about my love of James Vincent McMorrow's music numerous times (his first album, his second album, his live performance at Longitude), so you'd be forgiven for accusing me of favouritism. If I were a teacher, he'd be the type of pupil that could probably throw a board marker at my head and I'd be totally cool with it. Gold star for James nonetheless. But, I'll be honest, when I initially listened to his latest album, I wasn't completely sold. JVM is the first to admit that We Move and in fact his previous two albums, are all pretty different in style. I know that some people aren't a fan of this kind of change, but I for one have really enjoyed hearing his music evolve over the past few years, it just takes your ears a few listens to get used to it. In fact, if I were Louis Walsh and/or Simon Cowell, I'd probably say something here about his 'journey' as an musician, but thankfully I'm not, so I won't. Anyway, I eventually came to adore We Move just as much as its predecessors...I know, I know, who saw that one coming, eh?! This time, we're getting a funky, almost R&B-like style, mixed with a slightly electronic feel in places, but still with gestures to some of his recognisable, acoustic sounds. Overlay this with JVM's signature falsetto and for me, the record pretty much pulls together all of the best features of his music.
I was also lucky enough to get my hands on some tickets to see his latest tour at one of my favourite venues, Manchester's Albert Hall, this week. Without being too dramatic or anything, it was nearly too good for me to deal with. Firstly, the former chapel is an absolutely spectacular setting, as both he and the support act commented multiple times. Speaking of which, the support, a three-piece called Wyvern Lingo, were channelling some serious Destiny's Child/TLC vibes mixed with a bit of First Aid Kit and a sprinkling of HAIM's attitude for good measure, which I loved. Secondly, the design of the lighting was great. The flashing backdrop was almost mesmerising at times and really acted as the perfect complement to the music. And finally, both he and the rest of his band were on absolute top form. If it's humanly possible, my fangirl levels increased tenfold that night. JVM really does have a presence which makes the experience of seeing him live incredibly special and the set list, mainly focussing on his newest album but also including nods to the first two (and his haunting rendition of Higher Love) was what he described as 'the type of set I've been dreaming of having since I was a kid'. I totally understand why.
James Vincent McMorrow's We Move tour continues across the UK, Europe, the US and Canada until 1st December.
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